What remains when everything unnecessary recedes?

Reduction brings the painting to a state of essential presence, where the absence of colour directs attention toward light, texture and the physicality of the surface.

White becomes a field of subtle variation. Layers, relief and shifts of light create depth within restraint, allowing the surface to hold attention through its smallest changes.

The series is grounded in the tension between absence and presence, where reduction reveals the material and perceptual richness of what remains.